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As you travel throughout the UK don't you get utterly fed up with
all the Mocky Horrors that are thrown up (in all senses) by developers?
Tudorbethan, Vicwardian, Neo-Georgian, Chiltern Vernacular, Gloucester
vernacular - oh please! Similar to wine that is void of grape -
these are buildings that have not been acquainted with an architect.
But you really can't blame developers. Why should they take the
risk - especially if they can sell this junk? Why should they change?
They will quite understandably follow fashion - not lead it. But
I sense change is afoot with the buying public. Look in the metropolitan
areas of London, Manchester, Liverpool, Bristol and other locations
where 'loft' living and fairly contemporary apartments abound. Urban
decay provided an opportunity for a freethinking new wave of inner
city developers including Urban Splash. But where do these loft-livers
go when they decide to have families - The Tudors, The Oaks, The
Rectory, The Stenying, I personally just can't see. I hope consumers
will become very demanding and say to developers, "no contemporary
- no sale!" The message will get through eventually.
Presently we appear to be stuck in a housing time warp. Anybody
looking back on the last 40 years of housing architecture will wonder
what on earth has been going on. They will be convinced that builders
and buyers were suffering visual illiteracy. It is my understanding
that English Heritage are keen to see contemporary housing appear
as there is such a dearth of anything that represents 'now.'
When we buy almost anything else we purchase the most modern and
up-to-date we can buy - modern clothes, communications, consumer
goods; we like to work in swish glass offices, and buy the most
modern car we can - but like houses the latter says little. So why
when we go home do we enter a time warp; all applied timbers and
twiddly bits? 'Bring me the pills darling - I've got those nightmares
again!'
Do we accept this build type because it's easy - rather like 'easy'
listening - or because we have questionable visual literacy? Are
our expectations being blunted by these uniform offerings? In Holland
contemporary homes rub shoulders spectacularly with listed buildings
and it's not seen as anything too exceptional. I look forward to
the day the Dutch Architect Rem Koolhaas gets a UK commission for
a country house. Stand by for local planning committee incontinence!
So that's 'why contemporary'. We are keen to live in a house of
'today', which is entirely genuine and using a simple palette of
materials. If you are considering building a contemporary home and
somebody says to you - 'the design is inappropriate' - just ask
'what is appropriate?' This question usually generates a long silence
- ah bliss!
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